Lorenzo Donghi

Contract lecturer

y.o. 2017-2018

course in Forms and Models of Contemporary Cinema (S.S.D. L-ART/06: Cinema, Photography, Television), at the Department of Humanistic Studies of the University of Pavia.

a.y. 2014-2015, 2015-2016, 2016-2017

course of Stylistics and rhetoric of cinema (S.S.D. L-ART/06: Cinema, photography, television), at the Department of Humanistic Studies of the University of Pavia.

Other academic assignments

2017: Teaching tutor at the International Summer School Memory Care. The contribution of the visual and performing arts to the custody of the Self (Pavia, 25-29 September)

2015: Post-doctoral fellowship at the University of Pavia In charge of an archive research on the Italian cultural and artistic history in the two-year period 1968-1969 through the deduction of materials from the Davide Turconi Fund, aimed at organizing the exhibition Maria Corti - Le voci della scrittura, set up for the centenary of the birth of the writer (Palazzo del Broletto, Pavia, 8-31 October).

2014: Post-doc fellowship at the Manuscript Centre (University of Pavia), centre for studies on the manuscript tradition of modern and contemporary authors. Author of a census of the materials preserved at the Centre relating to the disciplines of entertainment with particular reference to cinema, theater, radio and television.

From 2013: Member of the Organizing Committee of the Interuniversity Research Centre "Self Media Lab - Writing, Performance and Technology of the Self".

MAIN AREAS OF SCIENTIFIC INTEREST

- contemporary cinema in its implications for other audiovisual media;

- the analysis of the languages of contemporary media, especially with reference to the self-portrait scripts that can be found in the context of today's media system;

- the development of forms and models of visual culture, first of all with regard to the specificity of war visuality and the relative media imaginary;

- the relationship between visual culture, media and territory.

Although IULM University applies all necessary diligence to ensure the publication of correct, updated and complete information, it is not responsible for the contents of the curricula published online on the Portal
www.iulm.it, the owner of this curriculum vitae, and is solely responsible for the correctness and truthfulness of the information contained therein.

Although IULM University takes all necessary care to ensure the publication of correct, updated and complete information, it is not responsible for the contents of the curricula published online on the Portal www.iulm.it. The holder of this curriculum vitae is the exclusive guarantor and responsible for the correctness and truthfulness of the information contained therein.

Monografie:

Scenari della guerra al terrore. Visualità bellica, testimonianza, autoritrattistica, Bulzoni, Roma, 2016.

Curatele:

(con Deborah toschi) Al presente. Segni, immagini, rappresentazioni della memoria, Pavia University Press, Pavia, 2017 (in corso di pubblicazione).

Capitoli in volumi collettanei:

Un congedo senza spavento. Riconoscere Vincent Price in Le balene d'agosto, in Roberto Lasagna (a cura di), Essere Vincent Price, Falsopiano, Alessandria, 2016, p. 205-209;

(con Federica Villa e Martina Panelli) Percorsi dell'avanguardia e (con Federica Villa e Gabriele Rigola) La modernità e il cinema, in Giulia Carluccio, Luca Malavasi, Federica Villa (a cura di), Il cinema. Percorsi teorici e questioni tecniche, Carocci, Roma, 2015, pp. 43-62 e 93 108;

L'utopia grottesca: Todo modo e l'Apocalisse della DC, in Gabriele Rigola (a cura di), Elio Petri, uomo di cinema, Bonanno, Acireale-Roma, 2015, pp. 205-212;

Torri che crollano, guerra al terrore e immagini redacted. Riflessioni sull'immaginario bellico dopo l'11 settembre, in Giulia Carluccio (a cura di), America oggi. Cinema, media, narrazioni del nuovo secolo, Kaplan, Torino, 2014, pp. 43-65;

Gesto, in Federica Villa (a cura di), Vite Impersonali. Autoritrattistica e medialità, Pellegrini, Cosenza, 2012, pp. 67-99.

Più recenti contributi in rivista:

Un atto iconico di rappresentanza: i video-testamenti degli shahid qaidisti, in Luca Malavasi (a cura di), «Cinergie», n. 11, 2017, pp. 92-97;

One Shot One Kill. I soldati-reporter del Media Combat Team, in Silvio Alovisio, Alessandro Faccioli, Luca Mazzei (a cura di), «Quaderni del CSCI», Cinema italiano e guerra, n. 12, 2016, p. 164-170;

The Here Is New York Exhibition: Photography as Collective Witnessing, in Francesco Parisi, Adriano D'Aloia (a cura di), «Comunicazioni sociali», Snapshots Culture, Vita e Pensiero, Milano, n. 1, 2016, pp. 101-106;

Da icona epocale a salma invisibile:la traiettoria iconica di Osama bin Laden, in Federica Villa (a cura di), «Bianco & Nero», Tracciati autobiografici tra cinema, arte e media, Cineteca Nazionale, Roma, n. 582-583, 2015, pp. 126-131;

Replacing Bodies with Pictures: Al-Qaida's Visual Strategies of Self-Configuration, in «Diffractions. Graduate Journal for the Study of Culture», Issue 3 – Screening War, Fall 2014.

Pur applicando tutte le necessarie diligenze volte a garantire la pubblicazione di informazioni corrette, aggiornate e complete, l’Università IULM non è responsabile dei contenuti riportati nei curricula pubblicati online sul Portale www.iulm.it.
Il titolare del presente curriculum vitae è garante e responsabile in via esclusiva della correttezza e veridicità delle informazioni in esso riportate.

Although IULM University takes all necessary care to ensure the publication of correct, updated and complete information, it is not responsible for the contents of the curricula published online on the Portal www.iulm.it. The holder of this curriculum vitae is the exclusive guarantor and responsible for the correctness and truthfulness of the information contained therein.